5,242 로열티 프리 오디오 트랙들 "Synth Design"에 대한

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Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:05
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:04
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:04
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:04
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:04
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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A trailer music braam made from a piano sample.
著者: Tdpk Music
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A sound design of an explosion.
著者: Zoshp
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Dark techno sound design.
著者: Jalastram
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Creado en ableton para ampliar impacto del tom :d.
著者: Gabymmp
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This is a bag falling sounding like bodies falling dead.
著者: Calgre
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This is how to pronounce my name.
著者: Mattielbrown
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Cool buzz or de-rezzing sound.
著者: Bdemon
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Processed glass sound.
著者: Synx V
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00:03
Processed white noise.
著者: Synx V
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00:04
Processed glass sound.
著者: Synx V
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03:19
Just an organ pad with several processors to create a texture.
著者: Jinkoandres
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00:14
An old diesel engine that serves as power sauce for driving a water pump. Öäö. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ööööööööööö. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -.
著者: Vumseplutten
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An old diesel engine that serves as power sauce for driving a water pump.
著者: Vumseplutten
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.
著者: Ceoux
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Watch out with the frequencies!.
著者: Moabi
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Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.
著者: Untitled
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Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.
著者: Untitled
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Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.
著者: Untitled
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Sound created for a boss in a game jam game. Was the result of playing with one sample of omnisphere.
著者: Vozme
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Sound created for a game jam. Was used when the boss get hitted. Hope you like it!.
著者: Vozme
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This is a short sound i created from snippet of very old recording (pre war) of an old parisian song : la java bleu.
著者: Kalikay
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07:25
Synths.
著者: Chnlnine
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00:15
Dsgnmisc, dsgn, designed, bass, deep, low, drone, rumble, texture, textural, bypass, pass, ominous, tension, tense, spooky, strange, eerie, sci-fi, alien, click, clicking, panning, movement, reverb, delay.
著者: Inmotionaudio
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Glitch sound-design digital.
著者: Bichoraro
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